The helmers of the year’s biggest and most brilliant movies — among them Sarah Polley, Todd Field and JD Dillard — swap trade secrets, from getting Tom Cruise to greenlight 'Top Gun: Maverick,' to taking a chance on actors who are bad at auditions, to choosing their projects: 'You have to have a need.'
I can’t wait. When I showed my cut to Tom Rothman, the head of Sony, he said to me, “We have final cut, but I’m going to give that to you and the film that you want is going to be up on that screen.” That was a huge deal. It’s funny because we had a meeting where he was giving me his thoughts and I just naturally get tight. And then he said that at the end and I said, “You should have started with that.” But that meant a lot.
Sarah, you had something similar — you were aiming for summer and when COVID messed that up, you had a whole other year before things came together. Did your casting stay the same in that time?Well, it gave us a lot of time to cast, and it was a strange casting process, because to cast one character, you had to cast everybody. They had to represent different points of view, there couldn’t be a duplication of energy, and there had to be chemistry.
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