.arielxpink discussed what he thinks about everything from the labels critics place on his music to the true definition of pop.
Any attempts to understand Pink's musical arc haven't been helped by the confusing state of his discography and chronology , which is why Mexican Summer'sWorn Copy, The Doldrums– capture a particularly prolific period, finding Pink fully in his autonomous groove as he wandered through an amorphous landscape evoking everything from '70s AM gold to half-remembered ambient music playing in the background of an '80s informercial.
Gamely hopping on the phone to look back on the trio of recently reissued albums, here's what Pink thinks about everything from the labels critics place on his music to the true definition of pop. They all have special places in my heart; they were seminal experiences and records for me. All were recorded at a point prior to my sort of comeuppance in music in pretty solitary conditions. I had virtually no audience, so there was no pressure foisted on me to pander to anybody. It was a more innocent, carefree time. They were all the outcrop of an initial surge of inspiration that started when I was a teen, essentially.
I was definitely interested in older things, but as soon as the Strokes hit and then the White Stripes afterward, once guitar music came back into fashion, I was kind of like, watching, objectively realizing,"Oh my god, I might actually have a chance here to have a career. So strange." I realized there was a zeitgeist, a culture cropping up around certain things and I wasn't as isolated as I originally thought I was to be.
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