For 25 years, from 1992’s “La Frontera” through 2017’s ”A Fantastic Woman,” a subsequent Oscar winner, the Berlinale has prized a rich trove of Chilean movies. Now, in sync with industry change, Be…
For 25 years, from 1992’s “La Frontera” through 2017’s ”A Fantastic Woman,” a subsequent Oscar winner, the Berlinale has prized a rich trove of Chilean movies.
Berlin lifts the curtain on early success. “TV is the future of content,” says Matías Cardone, producer of “The five series presented have won big prizes, struck high-profile deals and helped bow original series investment and marked a major strategic departure at some of the world’s most energetic drama series players.under Pinochet and the impact of their murder on loved ones, Hernán Caffieri’s “The Suspended Mourning” won a 2018 short series Intl. Emmy.
“We have a prosperous literary tradition, as in theater and cinema,” says Angela Poblete, “Convoking these writers, playwrights, directors and actors to explore the world of television, the results can be beautiful and make for premium quality entertainment.” The series are made by producers who will continue to mix drama series and movie. Their auteurist talent, which they need to retain, often feels a vocational necessity to make movies. Also, the aura which cinema gives directors – the international recognition of festival prizes – is an asset that can can bulwark producers’ revenue share, Arena observes.
These events, however, gain a universal reach, most often achieved through characterization.. Inspired by Finnish diplomat Tapani Brotherus’ rescue of thousands of Chileans after Pinochet’s coup, a singular true story which gives it novelty, “Invisible Heroes” is “seen through the eyes of Brotherus, a character who’s completely normal, so many people can identify,” says González.
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