The finale of a landmark series for LGBTQ storytelling, a harrowing true crime tale and a Weinstein doc that exposes trauma
In 1982, Stephen King joined forces with George Romero for an antic anthology film collecting five short tales of the macabre, then again in 1987 for a sequel with three more. This spinoff series adds another twelve to the total, albeit without the participation of the original creators. But a King yarn provides a basis for a couple segments, and they’ve lined up a murderer’s row of writers to adapt horror classics and pen their own originals.
Everyone’s convened to mourn the death of their transgender “moppa”/family figurehead Maura; the widow and the adult Pfefferman children are left in a toe-tapping existential spiral. They sing their way through complicated meditations on gender and Judaism in a production equal parts Broadway and Advanced Feminist Theory 301. It ends not with a bang, but a Broadway-style extravaganza.
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