'#blackAF' Review: 'Black-ish' With an Edge

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'#blackAF' Review: 'Black-ish' With an Edge
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'blackAF,' the debut Netflix series from 'Black-ish' creator Kenya Barris, feels very familiar. Alan Sepinwall's review

role as the son of Dre’s boss. It’s unclear whether they’re meant to be writing for, for Kenya’s new Netflix show — which would mean… we are watching the writing of the show we are watching? — or something else. Best not to think too hard about it.

Confusing the issue further are some of the names, with a Dre on one show and a Drea on the other, and an old man named Pops on one show and an elementary school-aged Pops on the other. So where are the differences, exactly? In a letter that accompanied screeners of the first season, Barris wrote that he wanted the new series “to be something bold, honest, and unfiltered. Something where I could take off all the straps and really hang out of the plane — even if it felt terrifying at times. Spoiler alert: When your first real acting job is playing a heightened version of yourself on a show that dramatizes your actual family — things get terrifying.

It’s that last part that’s the most obvious point of demarcation. As Barris notes, he’s not a professional actor, and his comfort level even in the most familiar possible role waxes and wanes. He can seem understated to a fault in some scenes; Jones herself has spent most of her career playing buttoned-down characters in comedies like, yet her energy level frequently blows him off the screen.

That episode is packed with cameos by Barris’ peers in making black films and TV shows. The best of these is a long conversation with Tyler Perry, who explains at length why he’s not the least bit troubled that white critics routinely pan his work.

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