Dummy babies, house hunting, stunt doubles: Confinement director Kelvin Tong answers our silly questions

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Dummy babies, house hunting, stunt doubles: Confinement director Kelvin Tong answers our silly questions
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The Singaporean filmmaker considers his latest movie, Confinement, a “thematic” sequel to The Maid.

The horror tale follows a fresh-off-the-plane Filipino domestic worker who has a close encounter with the spooky kind after she starts working for a couple who runs a Teochew opera troupe on the first day of the Hungry Ghost Month.

“It was very difficult for me to think of a way to drag out the storyline some more and revisit it,” he adds. Shortly after, weird things start to happen around the rookie parent — looming long-haired figures, barking dogs, and disembodied whispers. What's going on? Is everything happening for real or just in her head?

Actually, when we did the auditions, the camera was on the baby, but I was looking at the parents — we were auditioning the parents. What’s important is, first of all, the baby must look right for the part. But beyond that, most babies look like babies, right? What’s important is knowing their feeding and sleeping habits. When you have 60 crew members waiting to shoot a scene, you want the baby to be as predictable as possible.

The funny thing is, during pre-production, we actually fought for a lot of things to be shot with the dummy baby because why make your life so difficult, right? Like when it is a very wide shot, let’s just use the dummy. But somehow by day 14 or 15 of the shoot, Rebecca had gotten really well with the baby, as did Cynthia. The parents were very much involved in the film that it almost felt like they were acting in the film as well.

I think my first memory is that I was given no space to avoid my other responsibilities as a husband and a father. In a way, it’s also a little bit likebecause I felt like I was in a horror film. Usually in normal life, it’s like I’m a filmmaker and I’m always allowed the excuse of work to . When I had it with the kids, I would go, “Oh yeah, you handle the kids, I’m going to the study and work on my script or something.” You can say things like that.

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