Eventide Misha review: A playful sequencer that says to hell with tradition | Engadget

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Eventide Misha review: A playful sequencer that says to hell with tradition | Engadget
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Eventide Misha review: A playful sequencer that says to hell with tradition

So far, so good, right? But if you press the +1 again, you won’t get a second D, and instead you’ll get an E, one interval higher in the scale. To get a second D note, you’d have to press 0. And if you wanted to go back to C, you’d have to press -1. It’s not complicated necessarily, but it breaks a basic expectation that any musician would understandably have – that if you do the same thing, you should get the same note.

The layout feels just spacious enough to be viable as a performance tool, without completely dominating a smaller Eurorack setup. The nine interval buttons are well-spaced, the screen is large enough to deliver all the necessary information and the knobs are sturdy. My only issue hardware-wise is that the shift buttons have a hollow spring to them that feels a bit cheap and they make an audible popping sound.

The 12 CV jacks are split across three tracks, with three pairs of gate and CV outputs as well as two inputs each. This gives you a decent amount of options for controlling multiple synth voices or modulating the Misha’s sequencer. There’s also MIDI in and out jacks, as well as stereo out and a clock in. The microUSB port can also be connected to a computer keyboard for use with custom keymappings. You’re not gonna be wanting for connectivity options here.

Definitely take time to customize those four user buttons, though. While the default functions of up and down one octave , and up and down one chromatic step are useful enough, they can offer a lot of performance power when mapped to meet your specific needs. Personally I like swapping in “move pitch” for the chromatic steps, and setting it to a fifth. That adds a bit more spice than a simple octave, but generally still works well musically with whatever else is going on.

One last thing worth noting is that Misha has a built-in oscillator that you can turn on in the settings. But, beyond providing a simple sound source for auditioning melodies and generally getting a feel for the sequencer, it’s practically useless. In fact, it’s not even mentioned in the manual.

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