The 24 films he wrote and directed are baroque works of art, both intellectually stimulating and intensely moving
FROM VIA VENETO to ancient Rome, from circuses to fascist rallies, no one has captured theon screen in quite the same fashion as Federico Fellini. He was fascinated by the tumult of everyday life, as well as by the sound and the fury of a post-war Italy undergoing radical change. . Indeed, the working title of “8 ½”, one of Federico Fellini’s masterpieces, offers a neat summation of his style: “La Bella Confusione” or, “The Beautiful Confusion”.
It was “La Dolce Vita” that established Fellini as an outstanding artist—a name to pronounce alongside Orson Welles, Ingmar Bergman and Akira Kurosawa. Following Marcello , a gossip journalist, as he pursues “the sweet life” around Rome, the film chronicled Italy on the cusp of the sixties. The film had a huge impact on the way the country was viewed and viewed itself. It made Mastroianni a superstar.
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