Guerrero: In 'Wakanda Forever,' Black filmmakers did right by Indigenous peoples

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Guerrero: In 'Wakanda Forever,' Black filmmakers did right by Indigenous peoples
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Guerrero: In 'Wakanda Forever,' Black filmmakers did right by Indigenous peoples (via latimesopinion )

to empowering brown roles. Although Latinos make up 19% of the U.S. and half of Los Angeles, they’re only 7% of film leads and co-leads, mostly criminals and poor people. And while Namor is an antihero, he’s no villain. The audience is shown that he is dangerous, yes, but not because of his race. Instead of the usual dehumanized foil, Huerta’s portrayal elevates a brown body as dazzling and divine.

“This place is amazing,” he gasps as he takes in Wakanda’s splendor. “The air is pristine, and the water!” His wet skin evokes the ghosts of real people who have died trying to reach the U.S. by river or sea.

The Black director Ryan Coogler’s casting of Huerta was a stroke of genius. Huerta knows the heartbreak of leaving home, of changing to survive. In his new , “Orgullo Prieto,” or “Brown Pride,” the actor recalls altering how he dressed, walked and spoke to succeed in Mexico, where light-skinned people are overrepresented in positions of power.“In Mexico, they teach us to be ashamed of who we are,” he wrote in his book, in Spanish. A friend who sought roles for him was routinely told that Huerta looked “too Mexican.” A producer repeatedly called him an “Indio” who should “learn his place.

The Marvel film offers a vivid flashback to that conquest as Namor, a character inspired by the Maya god Kukulkán, tells Shuri about how his 1571 Yucatán tribe escaped the conquistadors’ smallpox and slavery by ingesting a plant that changed them: into merpeople. He was the first born in Talokan, a new deep-sea civilization. When he visits the surface as a boy, he finds Spaniards whipping Indigenous people in literal bondage.,” he says. You’re a demon.

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