The visualeffects of Jordan Peele's Nope found inspiration in some interesting places, from Neon Genesis Evangelion to jellyfish and infrared cameras.
Get Out and Us filmmaker Jordan Peele’s movies are always surrounded by secrecy in the lead-up to their premieres, and his sci-fi thriller Nope was no exception. The film follows a pair of siblings who discover that a series of strange events occurring around their family’s horse ranch might be related to a mysterious object they’ve glimpsed in the sky.
Guillaume Rocheron: I grew up in the ’80s and Jordan did as well. I remember watching Close Encounters of the Third Kind and Jaws and Alien, and even more memorable than the spectacle of them was the wonder. You felt like you were seeing something you haven’t experienced before. That was a really strong theme for us, because we needed to make sure we always design things in a way where the audience is engaged in the wonder of what they’re seeing.
We were inspired by this because Jean Jacket is a creature of the wind. It needs to ride the wind better than anything else, and it also needs to be able to to eat and hunt. So that was a really interesting process. But it made the scene so much more powerful, because suddenly you see things, but we’re keeping 10% of the audience’s imagination engaged on what they don’t see. There’s just enough obscuration to wonder about the chimp. Does he have guts in his mouth? Is he covered in blood?
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