Ten years after Inception's release, audiences are still debating Christopher Nolan's labyrinthine heist film
also garnered Nolan his first best picture nomination, and won four Oscars, including cinematography for Wally Pfister. The money and the accolades are certainly no minor achievements, but what’s most impressive abouta decade on is how we audience members continue to discuss, theorize, and uncover new details within the corners of Nolan’s labyrinthine heist film that sees its character arcs writ large across a dreamscape.that allows the film to inspire awe with each repeated viewing.
Perhaps the best way to traverse the thematic details of Nolan’s maze is to start at the exit point. After all, it’s the ending ofthat has spawned so much of the discussion and debate over the past ten years. What should we make of Cobb’s totem, the spinning top? Some swear that the top wobbles before the screen cuts to black, and some even say they can hear it fall.
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