The choreographer's Emmy-nominated 'Jibaro' episode of 'Love, Death & Robots' distinctly explores fluidity and destruction.
AUX Architecture designed a new performing arts center; the L.A. youth orchestra is going to the Super Bowl; my SoFi Stadium obsession; and galleries to see before Frieze.Before the script of “Jibaro” was written, director Alberto Mielgo approached Silkin to choreograph the episode in February 2020.
Goldstein says it challenged her as a dancer to show emotion on a micro level. “Sara directed me a lot in my facial expressions and how I can gesture to the camera differently,” Goldstein says. “I was very pleased to see that all of the dance remained that was choreographed,” Silkin says. “And that’s a beautiful, beautiful thing as a choreographer to not see your work pillaged or cut down.”
She pulled inspiration from her experience with Gaga — a movement language developed by Israeli choreographer Ohad Naharin that puts an emphasis on flowing through the spine like water — and pole dancing, where the performer’s body snakes like liquid around an apparatus.
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