.beatonna defined the late-aughts aesthetic online. Her memoir is a monumental synthesis of history, politics, and herself. kvanaren writes
Photo: Ducks: Two Years in the Oil Sands, copyright Kate Beaton, courtesy Drawn & Quarterly
“Therapists don’t know how to deal with the camps when you’re like, ‘I was in the oil sands, and I lived in this all-male environment, and it was really fucked up,’” she says. We are sitting at a picnic table overlooking Mabou Beach, a landscape I recognize immediately from. “You explain the culture of the oil sands,” Beaton says, “and they’re just like, ‘What the fuck is that?’ It’s like saying that I went to the moon and it was terrible. ‘I had a terrible time on the moon.
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