In 'Priscilla,' we see what 'Elvis' left out

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In 'Priscilla,' we see what 'Elvis' left out
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Sofia Coppola's glistening take on Priscilla Presley's life with Elvis is immersive and sad. But who exactly IS Priscilla, anyway?

completely cold, with no preconceived notions about Elvis Presley or at least a vague awareness of his marriage to Priscilla Beaulieu. That marriage, like nearly every other facet of the superstar entertainer's life, has become the stuff of legend, kept lingering in the cultural ether by Priscilla herself and countless Elvis biographies and biopics.

There's no need to worry about that, mercifully. Coppola's glistening and brooding dissection of Priscilla's life with Elvis reveals a clear-eyed vision for depicting the intoxication of fame and how easily it's wielded upon the young and impressionable. The filmmaker's script, adapted from Priscilla Presley's 1985 memoir, immerses its audience in the perspective of its subject as a young girl, played here with emotional resonance by Cailee Spaeny.

As Priscilla meets and falls in love with the biggest star in the world at the time He gets her addicted to pills and descends into physical abuse., though, the so-called king of rock-and-roll emerges looking like an egotistical, manipulative dirtbag as a romantic partner. Priscilla ultimately finds herself trapped inside a glass menagerie of Elvis's making, and the mental suffocation is palpable.

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