In 2015, D.A. Pennebaker and the producers of Criterion’s restoration of the Bob Dylan documentary 'Dont Look Back' weighed in on the classic
the start of something. Pennebaker would accompany the then–23-year-old singer-songwriter to England for a brief 1965 spring tour, bringing along his customized sync-sound 16mm camera and capturing several Dylan performances — as well as lots of backstage banter, backroom deals, after-party shenanigans, press conferences, put-downs, temper tantrums, rabid fans and one of the most uncomfortable troubadour-vs.-troubadour encounters ever caught on celluloid.
Salvation came in the form of Peter Oreckinto, a former Kiss roadie living in Los Angeles who had a reputation for being “an analog film-audio guru.” Hullings sent him the masters and crossed his fingers; the West Coast resident then built his own bespoke tape head from scratch that could read the outdated signal. “He sent back an audio sample as a test,” the Criterion employee recalled, “with a note that said ‘I have no idea whether this will sync up, but give it a shot.
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