Reilly's presence on the Taylor Sheridan Paramount series serves as its own gravitational pull.
Taylor Sheridan's neo-Western TV empire shows no signs of slowing down, as Yellowstone continues to expand with its own universe. Helen Mirren and Harrison Ford star in the prequel series 1923, as well as Tim McGraw and Sam Elliott in 1883. Plus, Matthew McConaughey is leading the way in his own Yellowstone sequel series following Kevin Costner's exit. But none of this would be possible without the immense popularity of Yellowstone.
Beth is a compilation of flaws and virtues. She is often straddling the line between anti-hero and villain or toeing the balance between the two as skillfully as the most experienced tightrope walker. Juggling all of that anger, hurt, love, bitterness, and passion is a balancing act all on its own.
Beth also, unexpectedly, possesses an air of vulnerability that can often be hard to see in the midst of one of her violent outbursts — but Reilly reminds us that it's there every time she looks directly at Dutton Ranch foreman Rip or her father John. While the character initially started out as a display of anger and cynicism, aspects that have remained with her throughout, she's evolved throughout each season of Yellowstone, too.
Reilly's performance also forces us to question the very concept of an antihero. How do you reconcile with a character who has undoubtedly been through so much pain throughout her life and held to different standards, while also holding up some semblance of accountability to her actions? Or is she merely acting according to the laws of her environment? Herein lies Reilly's deep understanding of the character, which comes through every ounce of her performance.
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