“The recognition of women artists didn’t happen in a vacuum.”
“Indeed so often just talking about sexism as well as racism is heard as damaging the institution. If talking about sexism and racism is heard as damaging institutions, we need to damage institutions,” from author and scholar Sara Ahmed. exhibitions, programs, and acquisitions by female-identifying artists taking place throughout 2020 in conjunction with the 100th anniversary of women’s suffrage in the United States.
Now at the Baltimore Museum of Art: Candice Breitz. TLDR . 2017. Commissioned by the B3Biennial of the Moving Image, Frankfurt. Courtesy of KaufmannRepetto + Goodman Gallery .is part of the museum’s broader ongoing mission to address race and gender diversity gaps within the museum field, and to represent more fully and deeply the spectrum of individuals that have shaped the trajectory of art.
The recognition of women artists didn’t happen in a vacuum. Advocates, activists, and feminist art critics have worked for decades to make it happen. None is more respected than the late Linda Nochlin, whose pioneering essay, “Why Have There Been No Great Female Artists?” published in 1971, was groundbreaking. As Nochlin collaborator Maura Reilly has
, “This canonical essay precipitated a paradigm shift within the discipline of art history.” Reilly described the work as “a dramatic feminist rally cry.”, a group of feminist activist artists founded in 1985, who wear gorilla masks and remain anonymous as they work internationally mounting street projects, postering and stickering wherever they find discrimination, gender and ethnic bias, and corruption.
in Washington, D.C., founded more than 30 years ago, offers an answer. “Museums, in general, mirror the power structures in our society, structures that in the arts privilege the history of white men’s accomplishments.” NMWA is the only major museum in the world solely dedicated to celebrating the achievements of women in the visual, performing, and literary arts. It honors women artists of the past, promotes women artists in the present, and assures the place of women artists in the future.
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