'We’re not reinventing the wheel here, but I think we want to respect young people, and show people it’s okay to be sensitive and vulnerable. These are things that actually enable creativity and art-making.'
. Before the movie, we watched this kind of stuff, then afterwards, we didn’t want to be as affected. At the beginning, the Hudson River Valley School was something that Grear and I spoke about, because we thought it was really interesting to think about this character in nature, and having nature be this sanctuary. That’s why we have Bobby running around in the woods.
SCHNABEL: The movie is a feeling, it’s a state of mind, and that’s what we try to evoke. It’s what it feels to be at that moment in your life. What it feels to be in your head–to be on a team, or be surrounded by your friends, but you truly feel alone. These are feelings that we think are pretty universal. When you hear “coming of age” or “baseball” you think, “Okay, America, kids.” But I think the movie lends itself to a wider audience.
PATTERSON: Even though it has these kind of dark qualities, we still want it to be positive. Allowing people to know that they’re not alone, and that these things happen, and that life is tough for everyone. Bobby, he doesn’t have anything, but he still has love in his life. PATTERSON: It’s honest, and I think we really try our best to respect our viewers. We’re never trying to assume that they know or they don’t know anything. It’s really just trying to deliver them the information in the most graceful and efficient as possible way.SCHNABEL: It doesn’t tell you what to feel, but it makes you feel something. That is something we’d like to continue to do with the work we’re moving forward with. This is just the first piece to a body of work.
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