Locarno: Oscar-Winning Editor Pietro Scalia on the “Existential Crisis” of the Hollywood Strikes, Working With Ridley Scott, Oliver Stone and Michael Mann
in 2 years. You can only succeed if there are no shadows in the relationship. He would shoot and I would edit while he started shooting the next one. It was a grueling job. With Ridleyyou can have up to 200 hours of footage to watch and select!I read the script, of course, but then I still watch all the material, there is no one else who does it, not even the director watches it all. I have to watch it all.
If they invite me! I have known Michael for years, and pretty much as long as we have known each other he had this project that he wanted to do with all his heart. He confessed to me that he first thought about it 30 years ago. And periodically he would call me, tell me that he had found a way to do it, and then nothing would come of it because his production team was not coming together according to his wishes or because I was working with Ridley.
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