Commentary: Queer TV shows are disappearing fast — just when we need them more than ever
In ‘The Super Mario Bros. Movie,’ the elusive Peach has more personality than ever — and wins over a gamer who’d avoided the character all her life.which is now available in its entirety on Disney+, follows Luz, a human teenager who stumbles into an alternate dimension known as the demon realm. A spunky, spirited fantasy lover with a penchant for getting carried away, Luz doesn’t quite fit in in the human world, so she decides to begin training as a witch rather than go back home.
No less an outsider in the demon realm — she’s still human, after all — Luz finds her place among fellow misfits like her mentor, Eda, a rebellious witch who refuses to conform, and the tiny but mighty beast King. Her circle of confidants grows to include classmates from her magic school, including frenemy-turned-crush Amity, who Luz eventually starts dating.
“The Owl House” debuted in 2020, at a time when LGBTQ visibility on TV was on an upswing. Thanks to the behind-the-scenes efforts of queer creators on shows such as Cartoon Network’s “
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