Lee Isaac Chung discusses his film Minari, a movie that made one of the biggest splashes at this year's Sundance.
was one of the first works of her own experiences growing up in Nebraska on a farm. That was really inspiring for me. I don’t want to remake her book, but I want to remake that sort of process. So I just started to remember all these different things from childhood and growing up on the farm. I noticed that it was all centering around the time when I was around my daughter’s age, like what I was doing was kind of seeing the world and seeing my memories through her eyes.
Instead, he’s neither. He’s a real living, breathing person. Tell me about finding the right tone for that character. How much was in the writing, and how much was in Will’s performance that you found together?It was in both. In the script, he starts off seeming like a spectacle, seeming like a kook in a way. And then slowly you see that there’s more to him than you would think.
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