“It’s the yin to the yang of psychedelic rock — writing a catchy, sugary pop song that’s like, three minutes long. ... I want to be a Max Martin.” tameimpala's Kevin Parker on his ambitions to work with big pop stars on big pop songs. Full cover story:
,” opting instead for a “12-minute song,” says Regan, and also insisted on standing to the side of the stage the whole time. “We would fight and fight [with the label], and they’d eventually say, ‘OK, fine!’ ” says Regan. “We didn’t want to be obvious. Kevin wanted to show more depth and creativity than that.”
At Interscope, Parker is still left largely to do as he pleases — “rare for a major label,” says his agent, Kevin French of Creative Artists Agency. “You sit back and trust that he’s going to keep coming out with something better.” Parker suggests that Interscope’s laissez faire attitude might have something to do with the fact that his album budget is pretty much “zero dollars” by choice, he says, laughing. “Honestly, I can’t really think of what I would spend it on.
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