Taylor Sheridan's comments about striking writers reflect a dude out of touch with working-class folks.
Taylor Sheridan's interview with The Hollywood Reporter this month paints a fascinating portrait of one of TV's most prolific modern creators. Make no mistake, Sheridan is a towering figure, thanks to working as the creator and showrunner of the highly popular Yellowstone and his tight creative grip on its various spin-offs and unrelated TV shows in the same style as that Kevin Costner program. He's a creative titan right now...
Sheridan, meanwhile, seems to view it only as a hindrance to bringing aboard additional writers to work on his shows and entertain the notion of unique ideas being injected into his fictional worlds. It’s such a strange concept — he wants to work within the long-form narratives of television, yet doesn’t get the sense of collaboration that marks the greatest accomplishments in the medium .
Sheridan’s background certainly shows he’s no stranger to the world of rural living, but that’s not his reality anymore. Sheridan still wants to paint himself as a lone wolf, a decent Southern fella who could be squeezed out by the big mean unions. In reality, he’s a man who owns a ranch that costs hundreds of millions of dollars and also happens to be one of the most powerful figures in the American television industry.
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