Venice: Pablo Larrain on How Star Mariana Di Girolamo Took Control of ‘Ema’

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Venice: Pablo Larrain on How Star Mariana Di Girolamo Took Control of ‘Ema’
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Chilean auteur Pablo Larrain likes to tread new ground with each film, but movies with women’s names, and female characters at their center, do seem to have a special appeal for him. After &#…

“Ema” is totally different stylistically from “Jackie,” but it’s similar in that what carries the movie is the power of the central female character.

There is a point in both the movies where you become a witness. And the movie becomes a testimony of the process of being a witness to that character. In both cases, it’s very based on the actresses. You need someone that can carry the movie on their shoulders. And her [Mariana Di Girolamo’s] power is endless: Her sensibility, her mystery, her intelligence, her strength is absolutely endless to me.She had done only TV, like soap operas.

It’s interesting because she had experience in TV, so she had an education of working with four cameras, whereas here it was one point of view. It was interesting to see how fresh she was. She was not heeding the marks; she was not looking in the right direction. She was not caring about a cinema-type filmmaking and logic. We slowly kind of worked with her so she could actually be in the frame.

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