'You’d never get a movie like 'White Noise' if it needed to make any money at the box office,' writes WBUR film critic Sean Burns. 'For the audience, this is both a blessing and a curse.'
before the streaming service’s stock market woes prompt a clampdown on blank checks for artist types.
Jack’s contending with his own secret shame – the man who created the Hitler Studies department can’t speak a word of German. He’s being tutored on the sly, sneaking off to sleazy apartments for lessons like he’s having an affair. He’s preserved huge passages of DeLillo’s rapid-fire, hyper-stylized dialogue, which the actors wrap their mouths around to varying degrees of success. The endlessly adaptable Driver has the easiest time with the motormouth rants, but Gerwig’s airy, addled enunciations slow down whatever screwball momentum their scenes together manage to build.
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