Good Boy team breaks down the thriller.
Summary Good Boy seems to begin as a standard love story before suddenly turning into a strange and at times terrifying thriller. In the movie, Sigrid is searching for love when she meets Christian a wealthy and charming heir through a dating app. Everything is going well until she goes to his home and meets Frank, a man who dresses in a dog costume and acts as Christian's pet dog.
Especially movies like Audition and Gone Girl kind of inspired me to make something that kind of twisted with genres and mixed genres. Because a human in a dog costume can be so many things, it can be scary, it can be funny. And I thought it would be fun if what if it was all those things in one movie. So that was kind of what I was going for. Gard Løkke: What attracted me the most, for the first part was that it was a challenge. Personally, as an actor, I always look for challenges.
I learned a lot in this experience as well, but it I think I liked Sigrid a lot as a character also because she's all about loving connections. She is trying to figure out what is life and being open minded or I think she also portrays what the audience will see when watching the film as well. Viljar Bøe: When it comes to the costume we had the two actors who played the dog. We had Nikolai who kind of is, not to give too much away, but he plays more the person. We only had him for three days. So for the rest of the scenes, where it was just the dog with the mask and everything we had Marie, who was the producer and costume designer of the film. I thought it was important there, yeah, it's very uncomfortable being in that costume.
I think he has a different worldview, maybe because of the money where you can create your own world without having to interact with the real world and just having this desire to be loved. As I feel all people do, and maybe his way of loving is different. It is different. You will see. Viljar Bøe: Yeah, so you're completely right. The intention was that, of course, the script and the situations in the film changes, but I wanted the look of the film and the style to be the same all throughout as to not impose too many styles into the audience's minds. So they could make up their own minds about these situations. So, we did go for a more naturalistic handheld style. Maybe you could say dogma or documentarian style, because it is kind of an unbelievable story.
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