Toni Morrison refused to frame her work for a white audience. That was revolutionary.

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Toni Morrison refused to frame her work for a white audience. That was revolutionary.
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“What those books did was create real intercultural conversation where everyone gets to eavesdrop on the actual conversation nonwhite people were having.'

As an editor, Morrison advocated on behalf of writers who might not have otherwise been published, said Dana A. Williams, a professor of African American literature at Howard University. Williams cited activist Angela Davis’ 1974 autobiography as an example.the trial

“Morrison was an artist and literary genius in her own right,” Williams said, “who inspired and made way for the brilliance of others. And, she was an editor smart enough to read the tea leaves.” “In Morrison’s work and in the work she edited, what you see are stories that shifted the gaze,” Williams said. “What those books did was create real intercultural conversation where everyone gets to eavesdrop on the actual conversation nonwhite people were having, the lives nonwhite people were living and the things some of us sometimes do to one another. In doing so, it allows readers to recognize that black experiences include universal components.

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